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Zuckerbrot’s get-thin plan (otherwise known as the F-Factor) is nothing new.

She prescribes a diet of high fiber and lean proteins, which less fashionable organizations like Weight Watchers have advised for years. Zuckerbrot and her comely staff of six women and two men are a living, breathing ad for her business.

When his parents split up, his Dad and step-mum moved up north to Victoria, BC- my hometown.

In an uncharacteristically adventurous move, he decided to follow them and started high school in Canada. Of course, divided families mean divided time, so every Thanksgiving, Christmas and summer break, Finn’s First Boyfriend (henceforth referred to as ‘FFB’) would head back down south to spend time with his mum.

Oscar’s distant relations, Oscar Kortico and Jose Mandinga, were slaves who rose against their masters to fight in Cuba’s 1868 war of independence.

The two fell in love with a pair of sisters and settled in Pata de Puerco, where Oscar’s wife, Malena, died in childbirth and he, inconsolable, died with her.

Acosta’s story is set in the remote hamlet of Pata de Puerco – Pig’s Foot – in the deep south of Cuba, where the ancestors of his narrator, Oscar Mandinga, once lived lives of violence, squalor and high passion.

Instead, they can go to their favorite restaurants like Nobu and Balthazar, and even drink wine or eat cheese.

Tali Goldberg (grey dress), Sierra Winter (navy blue dress), Melissa Seidman (black dress), Rebecca Baer (purple top, black leggings), Kristy Wayner (purple skirt, grey top), Tanya Zuckerbrot (silver top, black skirt) It’s Friday morning at a sleek Midtown office, and a sharp-suited businessman is waiting his turn.

Suddenly a door swings open and an enviably thin woman in a bustier, tight pants and 4-inch heels strides across the room to shake his hand.

Melecio is a child prodigy, whose talents bring education to Pata de Puerco.

Benecio and Gertrudis move to Havana where, at the end of his life, Benecio tells Oscar the truth about his family, explaining that: “No man knows who he is until he knows his past, the history of his country.” Acosta is not as graceful a stylist on the page as he is on the stage, but he is a lively storyteller, and the magical realist influence of García Márquez et al comes in handy for skipping over the odd structural inelegance (“I’m the narrator and…

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